Tuesday, March 31, 2009
End Of The World
And then the world will end.
I've told this story to friends before and I have been called cynical. But I certainly don't intend it to be so. It makes me all warm and cosy. I mean, it would be nice to know that this was all for something.
Monday, March 23, 2009
Forty Degrees Of Separation
Food For Thought
I freely admit that I am not very knowledgeable about this topic. My relationship to food has mostly been of the "find on plate, put in mouth" variety with little introspection regarding its history, or often even its content. So the above ramble has to be read with the skepticism due to any piece that has been pulled out of an arse.
Saturday, March 21, 2009
Another Recent Read
I just worked my way through 'David Copperfield', and I have to say, it was thouroughly enjoyable. I suppose that word sees a lot of use these days, but in this case, I really mean it. I vaguely remember reading the story in an abridged version as a child and being rather depressed by most of it. Even at the end, when it all worked out, it seemed as if there had been more sorrow than joy in the tale. That version, shorn of Dickens language, was unable to communicate anything beyond the plot. The original, on the other hand, is vibrant. The book is, ultimately, about a man who has gone through life's foaming rapids and come out, triumphant, onto the serene side. And Dickens, throughout the novel, keeps you minful of that fact. You feel the tragedies, but you know the hand that writes them has dealt with them and prospered. And of course, you feel the joys too. I am aware that there are probably many points of criticism that literary killjoys would love to direct at the book, but all of them notwithstanding, it a lovely work.
However, to join those killjoys on a very temporary basis, I would criticise one aspect, not just of this book, but of Dickens' novels in general: Though most of the Characters in the novels are beautifully formed and fleshed out, there is something awkward about many of his protagonists. You don't identify with them. You feel sympathy for David throughout this various trials, you share in his joys. But you don't identify with him. While, of course, his actions as a child are not to be judged, his actions as an adult often seem awkward. You are always aware that, in his place, you would have often done many things differently. The same holds for 'Pip' in Great Expectations. You like the bugger, but you often feel like telling him to stop being such a chump. And when Sidney Carter gets the chop, you feel sad, but not really overwhelmed. All told, Dickens' various literary strengths make this a rather trifling point - the books remain hugely enjoyable regardless. But the flaw stands out the more precisely because he scores so highly in all other departments.
Form Is Freeing
I am willing to accept verse
libre as a legitimate form of
poetry - I would even go so far as to
say that I am rather
fond of some of
it. When written by Eliot
or Whitman,
it seems genuine and, well,
poetic. But I really hate it
when someone
abandons any attempt at
rhyme and meter
and bashes out something
very drab and dull,
cuts it up at irregular intervals
and
condescendingly
calls it a poem.
It's not a poem,
..
..
you bastards.
Tuesday, March 17, 2009
सूचना
Monday, March 16, 2009
What's In A Name, Part 2
Let us illustrate this point. Consider two names: Homer and Peter. The former is the name of the genius who wrote the two great Greek epics, two of the treasures of ancient Western literature. For centuries, for this reason, the name was one held in reverence. But it never became popular, it never caught on. It was, as it were, bad at propagating itself. So, when Homer Simpson came along, the name was finished. No one, but no one, is ever going to name their kid Homer again. The first disease that came upon it was enough to kill the species.
Now consider Peter. The name's hugely common. Everyone knows at least one Peter, perhaps several. It has managed to aggressively proliferate, at least the Judeo-Christo-Islamic world. Therefore, Peter Griffin, every bit a match for Homer Simpson, has been unable to so much as give the name the sniffles. 'Peter' sails on serenely, on the meme pool. Similarly, for all that he killed his own and his enemies by the millions, Stalin was unable to kill Joseph. Poor Adolf, on the other hand, is extinct.
Are there any other constructs that fit this memey behaviour !?! Ones that aren't generally considered memes, I mean.
Tuesday, March 10, 2009
Ads
I don't mind it much. Or rather not at all. But it would be nice to know, for the sake of knowledge, how to turn it off.
On Kindness
Is this normal !?! Is kindness nothing more than the avoidance of guilt !?! Or is it just me !?!
अरे वाह ! मला मराठीत लिहिता येत आहे !
Friday, March 6, 2009
Recent Reads
I'm not sure what to make of "The Trial". It starts out almost silly, becomes absorbing and ends on a positively terrifying note. The hallmark of the book's greatness, however, seems to be the sympathy Kafka makes you feel for the protagonist. I have rarely felt for a character like Josef K. before. He is obviously arrogant, self centered, harsh and haughty and yet, I just had to sympathise with him.
There is no danger of having your reserves of sympathy depleted by any Wodehouse novel. His characters are fully as three dimensional as those of any of the so-called 'serious' authors, but they are singularly free from any substantial grief, hardship or fear. These emotions are raised, if ever, only momentarily, only to be gently replaced by goodwill and bonhomie. A Wodehouse novel is as close to pure joy, fun and pleasure as literature has ever come. I will have read a lot more of his novels before the term is out.